![]() ![]() Lyrics you'll love: "Demonstrating sweet love and affection/That you give so openly, yeah/The way I feel about you, baby, can't explain it/Want the whole wide world to see" ![]() It holds the distinction of being the top love song (and best-selling track) from their 1973 album Red Rose The muse for this orchestra-backed love song is Linda, Paul McCartney's first wife. Lyrics you'll love: "Oh, oh, I love, oh, oh, my love/Only my love holds the other key to me/Oh, oh, my love, oh, oh, my love/Only my love does it good to me" Thanks to Burt Bacharach's lyrics and Karen's angelic voice, it nabbed the Grammy Award for Best Contemporary Performance by a Duo, Group or Chorus. Lyrics you'll love: "On the day that you were born the angels got together/And decided to create a dream come true/So they sprinkled moon dust in your hair of gold/And starlight in your eyes of blue"Ī remake from the 1970 album Close to You. "(They Long to Be) Close to You," by The Carpenters It’s an appropriate finale for a song about the moments in people’s lives that defy clear articulation, when your only choice is surrender to a swirling maelstrom of emotion.8. As Rankin soars into a final high note, it might feel like you’re leaving with a whiff of hope-but the solo that takes you home is messy, discordant, a little confused. Guitars smother like wet wool and shrieking seagulls fly over the coast there's an overwhelming heightening of stakes, like your heart is being squeezed by a trash compactor. The song’s bittersweet, sighing melody, one that could easily be repurposed within an antique music box, is magnified by production that weaponizes shoegaze signifiers in service of the narrative. ![]() She only needs one line to render vivid scenes: a warm vodka cooler chugged behind a hockey rink, a tense phone call with a would-be father, a forlorn move to the countryside soundtracked by Belinda Carlisle’s “Heaven Is a Place on Earth.” Like a heroine in one of Munro’s timeless stories, the narrator’s life is altered forever by a single choice of impossible magnitude. –Sam SodomskyĪlvvays frontwoman Molly Rankin recently cited the Canadian short story master Alice Munro as an influence, noting the way the writer’s work can “knock the wind out of you.” Rankin and her band offer their own bracing wallop with “Belinda Says,” a heartbreaking sketch of an unexpected pregnancy that’s also a modern power-pop classic. A crown jewel of one of indie rock’s most ambitious songbooks, “June” found its home in a world that seems as absurd, doomed, and oddly romantic as Bejar has always seen it. If we’re to take him at his word, this really is what life is like-alternately gliding in ecstasy and waging war on each passing thought, all while still making time for the everyday absurdity that falls in between. The onslaught of non sequiturs is chopped and layered against wafting disco, like the soundtrack to a mirrorball head-trip sequence in the Hollywood adaptation of his life. The Canadian songwriter’s spoken-word vocals are processed to sound like a montage of various Dan Bejars complimenting and contradicting one another, musing on art and existence or cracking an “I barely know her!” joke while pondering the meaning of love. “Speaking of lifelike, this is what life’s like,” Dan Bejar declares midway through “June,” a gloriously surreal destination following three decades of journeying into the heart of his subconscious.
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